Book 9 is where many children's versions start – that is, at the 'beginning' of the story, with the fall of Troy, which generates the sequential wanderings of Odysseus. But it takes Homer 1/3 of the poem to reach this point, here in the midst of things.
Adorno and Horkheimer read Odysseus as a kind of proto-bourgeois venturer, anticipating one of later readings this semester:
"The wily solitary is already homo economicus, for whom all reasonable things are alike: hence the Odysseus is already a Robinsonade. Both Odysseus and Crusoe, the two shipwrecked mariners, make their weakness (that of the individual who parts from the collectivity) their social strength. Delivered up to the mercy of the waves, helplessly isolated, their very isolation forces them recklessly to pursue an atomistic interest. They embody the principle of capitalist economy, even before they have recourse to a servant; but what they preserve materially from the past for the furthering of their new enterprise is evidence for the contention that the entrepreneur has always gone about his competitive business with more initial capital than his mere physical capacity. . . . Hence the universal socialization, as outlined in the narratives of the world traveler Odysseus and the solo manufacturer Crusoe, from the start included the absolute solitude which emerged so clearly at the end of the bourgeois era. Radical socialization means radical alienation. Odysseus and Crusoe are both concerned with totality: the former measures whereas the latter produces it. Both realize totality only in complete alienation from other men, who meet the two protagonists only in alienated form—as enemies or as points of support, but always as tools, as things." (61–62)