http://www.learner.org/courses/worldlit/gilgamesh/
The cuneiform tablet that includes the Gilgamesh flood narrative (which the Genesis account of Noah seems to emulate) is held in the British Museum. In 1872, the assistant who identified this text, George Smith, became so excited by his discovery that he "jumped up and rushed about the room in a great state of excitement, and, to the astonishment of those present, began to undress himself." You can listen to BM Director Neil MacGregor describe this tablet, part of the marvelous program "A History of the World in 100 Objects."
As with the Homeric poems, there are a number of illustrated adaptations for children. We've ordered Ludmila Zeman's "Gilgamesh Trilogy" as well as other versions to consult. Last spring Miss E. found it thought-provoking to ask our crew to compare different literary and artistic approaches to retelling the same story; we hope to do the same this fall with this similarly pliable narrative.
One scholar, Theodore Ziolkowski, reflects upon the 20th-century revival of interest in this epic:
"In sum, in almost a hundred manifestations of literature, art, music, and popular culture, the epic of Gilgamesh constitutes a finely tuned seismograph that registers many of the major intellectual, social, and moral upheavals of the past hundred years: from the religious controversies of the early twentieth century, by way of the search for eternal spiritual values transcending the decline of Western civilization following two world wars, to the struggle for recognition among previously marginalized groups, notably gays and feminists, and eventually to environmental concerns for planet Earth. This fascinating history of reception culminated most recently in a revival of what is believed to be the epic’s original religious impetus and its radical politicization by other writers. In any case, wherever one looks today, and in the most varied manifestations, Gilgamesh is very much among us."